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Abstract


THE RELATIONSHIP BETWEEN ARCHITECTURAL DECORATION OF THE CONTEMPORARY TURKISH CERAMIC ART AND THE DYNAMİCAL ORGANIC SURFACE THEORY OF ATİLLA GALATALI
When the ceramics traditioned in the traditional pre-republican approach were moved from the tradition to the contemporary, the gall was not drawn from the past and did not stand against the past. In the 1950s, in the 1950s, Füreya Koral, which we can call the early period of ceramic artists, was looking for solutions for architectural decoration and produced works to integrate contemporary ceramic art with architecture in this area. The artist, who has been approaching contemporary sense, has been working on the use of interior and exterior to interpret and interpret them in the modern sense, taking advantage of the reasons and traditions of the very existence of architecture and ceramic together. Thus, for future generations, the works to be used in the architectural decoration of contemporary ceramic artworks have emerged. Atilla Galatalı later developed technicians of Fureya Koral and found them in original interpretations. While continuing to move with the Dynamical Organize Surface rule, the artist evaluated his works both inside and outside as an element of architectural decoration integrity.

Keywords
Decoration, Contemporary, Architectural, Ceramic


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