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Abstract


THE SYMBOLIC VALUE OF THE COLOURS USED IN THE CERAMIC ART OF CLASSIC PERIOD
The modern science has revealed that there are certain relations between the colours and the spirit world, psychology and personality of the individual. A number of studies and experiments conducted on this subject have found out that colours evoke positive and negative effects on the person. In fact, the knowledge that color creates not only physcial but also psychological different effects on the individuals dates back to remote past, and this can be understood from the samples that colour was used purposefully in terms of art. In every artistic editing as a space design, such factors as form, material, light, pattern so is the usage of color is not at random. In the contrary, it is rather matchable for the pattern of the composition chosen. In this article; the characteristics of the colors observed in the 16th century ceramic samples which display the ceramic art properties of the classical period, the reasons to be chosen, and the psychological effect of the colors on the humanbeings have been studied and a symbolic language has been created. The art of the Islamic artist fostered by faith universe is the reflection of the different colours, thoughts, experiences, understandings, expression and in short sacred, and is the symbolic language. Why the beliefs, languages and the colours are different is because of the necessity of the presence and compassion of God. The universe is colorful, and the real light of everything, sun and illuminator of the universe is of course God.

Keywords
Ceramic art- Colour, Symbolism


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