Lithography is a printing technique based on the principle that oil and water repel each other. Like many other printing techniques, lithography is a chemical process with a unique aesthetic, direct drawing techniques. Kitchen lithography is a contemporary form of lithography. Traditional lithography printing technique is a planographic (printing from a flat surface) printing technique based on the mutual thrust of oil and water. Kitchen Litho is an aluminum foil-based, hard flat plate lithography prepared with cola instead of turpentine and classic acids. The preparation phase is shorter than traditional lithography. Cola, Aluminum foil, tape, clean damp sponge, a plastic or metal sheet for fixing foil, thick oil-based ink and roller, a plastic tub to hold the cola bath, wetted paper or dry paper.
This article aims to present a new perspective to the lithography environment, to create lithographic prints using the basic home materials for artists, to present a fast, non-toxic and simplified method. Artists can create a kitchen lithography process by creating their own prints in ink or by hand in gravure printing machines.
@article{2020,title={EMILLE AIZER AND KITCHEN LITOGRAPHY},abstractNode={Lithography is a printing technique based on the principle that oil and water repel each other. Like many other printing techniques, lithography is a chemical process with a unique aesthetic, direct drawing techniques. Kitchen lithography is a contemporary form of lithography. Traditional lithography printing technique is a planographic (printing from a flat surface) printing technique based on the mutual thrust of oil and water. Kitchen Litho is an aluminum foil-based, hard flat plate lithography prepared with cola instead of turpentine and classic acids. The preparation phase is shorter than traditional lithography. Cola, Aluminum foil, tape, clean damp sponge, a plastic or metal sheet for fixing foil, thick oil-based ink and roller, a plastic tub to hold the cola bath, wetted paper or dry paper.
This article aims to present a new perspective to the lithography environment, to create lithographic prints using the basic home materials for artists, to present a fast, non-toxic and simplified method. Artists can create a kitchen lithography process by creating their own prints in ink or by hand in gravure printing machines.
},author={Suna Özgür KARAALAN},year={2020},journal={The Journal of Turk-Islam World Social Studies}}
Suna Özgür KARAALAN . 2020 . EMILLE AIZER AND KITCHEN LITOGRAPHY . The Journal of Turk-Islam World Social Studies.DOI:10.29228/TIDSAD.43899
Suna Özgür KARAALAN.(2020).EMILLE AIZER AND KITCHEN LITOGRAPHY.The Journal of Turk-Islam World Social Studies
Suna Özgür KARAALAN,"EMILLE AIZER AND KITCHEN LITOGRAPHY" , The Journal of Turk-Islam World Social Studies (2020)
Suna Özgür KARAALAN . 2020 . EMILLE AIZER AND KITCHEN LITOGRAPHY . The Journal of Turk-Islam World Social Studies . 2020. DOI:10.29228/TIDSAD.43899
Suna Özgür KARAALAN .EMILLE AIZER AND KITCHEN LITOGRAPHY. The Journal of Turk-Islam World Social Studies (2020)
Suna Özgür KARAALAN .EMILLE AIZER AND KITCHEN LITOGRAPHY. The Journal of Turk-Islam World Social Studies (2020)
Format:
Suna Özgür KARAALAN. (2020) .EMILLE AIZER AND KITCHEN LITOGRAPHY The Journal of Turk-Islam World Social Studies
Suna Özgür KARAALAN . EMILLE AIZER AND KITCHEN LITOGRAPHY . The Journal of Turk-Islam World Social Studies . 2020 doi:10.29228/TIDSAD.43899
Suna Özgür KARAALAN."EMILLE AIZER AND KITCHEN LITOGRAPHY",The Journal of Turk-Islam World Social Studies(2020)